suicideblonde:

Chloe Sevigny
L’avventura | 1960, dir Michelangelo  Antonioni L’avventura | 1960, dir Michelangelo  Antonioni
mexq:

Μια αιωνιότητα και μια μέρα / Eternity and a Day (Theodoros Angelopoulos, 1998) mexq:

Μια αιωνιότητα και μια μέρα / Eternity and a Day (Theodoros Angelopoulos, 1998) mexq:

Μια αιωνιότητα και μια μέρα / Eternity and a Day (Theodoros Angelopoulos, 1998) mexq:

Μια αιωνιότητα και μια μέρα / Eternity and a Day (Theodoros Angelopoulos, 1998) mexq:

Μια αιωνιότητα και μια μέρα / Eternity and a Day (Theodoros Angelopoulos, 1998)

mexq:

Μια αιωνιότητα και μια μέρα / Eternity and a Day (Theodoros Angelopoulos, 1998)

c-inefilia:

Landscape in the mist, Theo Angelopoulos

" If I were to scream, who would hear me in the army of  the angels?

after a major hiatus from this thing, I’ve been inspired by Tarkovskys’ Instant Light, to shoot some Polaroid photos. after a major hiatus from this thing, I’ve been inspired by Tarkovskys’ Instant Light, to shoot some Polaroid photos.

after a major hiatus from this thing, I’ve been inspired by Tarkovskys’ Instant Light, to shoot some Polaroid photos.


My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

My Own Private Idaho (1991), Dir. Gus Van Sant

(via tarkovskologist)


"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."
Ingmar BergmanJuly 14, 1918 — July 30, 2007

"It would be the best of all, you know, if once in one of my pictures, only one human being had got something out of it for his life, for his daily life or for his future. I would be happy. That is the whole reason. If people use my pictures, it doesn’t matter if they are angry or aggressive or critical, but just that they are emotionally involved with my pictures. That is the only thing that is important to me."

Ingmar Bergman
July 14, 1918 — July 30, 2007

allthosegirlsonfilm:

Jessica Chastain allthosegirlsonfilm:

Jessica Chastain
“Do you know, darling? When you became involved with others you quite possibly stepped down a level or two, but if you become involved with me, you will be throwing yourself into the abyss.”
— Franz Kafka, Letters to Milena  (via ughpoems)

(via fuckyeahexistentialism)